Both The Picture of Dorian Gray and A Portrait of the Artist as a Young Man engage in significant critiques of contemporary society and culture on topics ranging from sexuality, religion, education, imperialism, class, and ethnicity. They are also stylistically inventive and explicitly engage in aesthetic debates.
–This sets style against social critique, each in contrast with the other.
–Do style and social critique conflict or do they mutually interact in one or both of the novels? –Does one (style) reflect the other (social vision), or are these unrelated issues in the novels?
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